LENSES / FULL FRAME
20.7mm T1.9 - 27mm T1.9 - 37mm T1.9 - 57mm T1.9 - 77mm T1.9 - 137mm T1.9
ZEISS Supreme Primes
The ZEISS Supreme Prime 35mm T1.5 lens features an interchangeable PL mount and is marked in feet. The lens produces a 46.3mm image circle, covering full-frame sensors. The internal focus design provides minimal focus breathing and a non-rotating front. The focus ring rotates 300° from a close focus of 13" to infinity, providing plenty of room for precise focus pulls. The iris is made up of 16 blades arranged to create circular, out-of-focus highlights. Both the focus and iris rings incorporate industry standard 0.8 MOD, 32-pitch drive gears, and the lenses within the Supreme lineup share the same gear positions, making for rapid lens changes.
ARRI Signature Primes
ARRI SIGNATURE PRIMES SET
Designed as open standard, camera-independent lenses, the versatile LPL-mount ARRI Signature Primes offer easily customizable looks, a wide range of focal lengths, and zoom lenses to match. Like the rest of the series, the 18mm T1.8 ARRI Signature Prime covers all image sensors up to and including full-frame, large-format. This wide-angle lens is one of 16 primes featuring organic images, attractive bokeh, subtle flaring, and a fast maximum aperture for achieving shallow depth of field. This prime lens gently softens the large-format look and produces pleasant, natural skin tones and crisp blacks. Focus falls off smoothly, highlighting your subject against its background frame.
Stockings, nets, and voile can be used to create custom diffusion and other effects when mounted in the Signature Prime's magnetic rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The integrated LDS-2 lens data system is backwards-compatible with ARRI's LDS-1 and communicates with Cooke's /i Technology.
COOKE 1.8x Anamorphic/i Full Frame Special Flare
COOKE ANAMORPHIC FF + SF SET
The Anamorphic/i Full Frame Special Flare prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
Cooke S7/i Full Frame Plus Prime Lens
The Cooke S7/i Full Frame Plus Prime Lens is designed to cover full frame cinema camera sensors up to at least the full sensor area of the RED Weapon 8K (46.31mm image circle). It is color-matched to other Cooke lenses to keep that well-known Cooke look, and has focus markings on both sides of the lens. A cam-type focus mechanism and a large lens barrel diameter with 270° of rotation from end-stop to end-stop allows for precision focus pulls, especially at close focus.
The lens features a PL mount, which makes it compatible with most commonly used professional motion picture film and electronic cameras, and has an aperture range of T2.0 to T22. The PL mount incorporates i/Technology contacts that feed lens information metadata to a compatible camera, including focus distance, aperture and depth-of-field.
TOKINA Cinema Vista Primes
The brand new Tokina Cinema Vista series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. The Cinema Vista primes exhibit an image circle that exceeds that of 35mm Full Frame making them an excellent choice for large format cameras.
The Cinema Vista series also benefit from a design that produces nearly zero focus breathing - a feature traditionally reserved for exotic lenses with a much higher price tag.
Venus Optics Laowa 12mm T2.9 Zero-D
The PL mount Laowa 12mm T2.9 Zero-D Cine Lens from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.
The 12mm cine lens features a maximum aperture of T2.9 with 16 elements in 10 groups. Its 7-blade aperture provides a soft, pleasing bokeh, a shallow depth of field with little to no distortion, and a 7" close focus distance. The focus and aperture rings feature industry-standard 0.8 pitch gearing that will accommodate standard cine follow focus motors. The 102mm front diameter can be stepped up to 114mm with the included adapter to fit industry-standard matte boxes to prevent glare and reflection, as well as to add filters. Focus, aperture, and depth of field markings are in feet on the side of the lens to aid focus pullers.
In addition to the 114mm step-up adapter ring, a shim set is included for calibration, and a hard-shell Pelican case with custom foam is included to protect and transport the lens.
LENSES / SUPER 35
ATLAS ORION 2X ANAMORPHIC LENS
Orion Series Set
Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.
SIGMA High Speed Zoom Line
T2 brightness throughout the zoom range.
Outstanding resolution ready for 6K-8K.
These lenses combine top performance
with superior compactness.
The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.
SIGMA ZOOM LENS SET
18-35mm / T2
50-100mm / T2
IRIX 150mm T3.0 Macro
Designed for cine-style image capture and covering up to full-frame size sensors, the PL-mount 150mm T3.0 Macro 1:1 Cine Lens from IRIX incorporates multiple internal and external design features. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh and five seals protect against inclement weather and dust.
To help eliminate aberrations and distortion, the 150mm IRIX is constructed with 12 optical elements in 9 groups including four HR (high refractive index) and three ED (extra-low dispersion) elements. This lens has 270° of focus and 75° of iris rotation, an 86mm front filter thread, and includes a lens hood in addition to front and rear caps.
SIGMA Cine Primes
SIGMA CINE SET
Founded on the success of the Sigma ART line of lenses, the Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.
Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.