LENSES / FULL FRAME
TRIBE7 BLACKWING7
T-Tuned
20.7mm T1.9 - 27mm T1.9 - 37mm T1.9 - 57mm T1.9 - 77mm T1.9 - 137mm T1.9
ZEISS Supreme Primes
-18mm T1.5
-25mm T1.5
-35mm T1.5
-50mm T1.5
-85mm T1.5
-135mm T1.5
The ZEISS Supreme Prime 35mm T1.5 lens features an interchangeable PL mount and is marked in feet. The lens produces a 46.3mm image circle, covering full-frame sensors. The internal focus design provides minimal focus breathing and a non-rotating front. The focus ring rotates 300° from a close focus of 13" to infinity, providing plenty of room for precise focus pulls. The iris is made up of 16 blades arranged to create circular, out-of-focus highlights. Both the focus and iris rings incorporate industry standard 0.8 MOD, 32-pitch drive gears, and the lenses within the Supreme lineup share the same gear positions, making for rapid lens changes.
ARRI Signature Primes
ARRI SIGNATURE PRIMES SET
-18mm T1.9
-25mm T1.9
-35mm T1.9
-47mm T1.9
-75mm T1.9
-125mm T1.9
Designed as open standard, camera-independent lenses, the versatile LPL-mount ARRI Signature Primes offer easily customizable looks, a wide range of focal lengths, and zoom lenses to match. Like the rest of the series, the 18mm T1.8 ARRI Signature Prime covers all image sensors up to and including full-frame, large-format. This wide-angle lens is one of 16 primes featuring organic images, attractive bokeh, subtle flaring, and a fast maximum aperture for achieving shallow depth of field. This prime lens gently softens the large-format look and produces pleasant, natural skin tones and crisp blacks. Focus falls off smoothly, highlighting your subject against its background frame.
Stockings, nets, and voile can be used to create custom diffusion and other effects when mounted in the Signature Prime's magnetic rear net holder. Eleven iris blades produce smooth, rounded bokeh effects, and a telecentric design minimizes breathing. The integrated LDS-2 lens data system is backwards-compatible with ARRI's LDS-1 and communicates with Cooke's /i Technology.
COOKE 1.8x Anamorphic/i Full Frame Special Flare
COOKE ANAMORPHIC FF + SF SET
-32mm T2.3
-50mm T2.3
-75mm T2.3
-100mm T2.3
The Anamorphic/i Full Frame Special Flare prime lenses represent the next logical step in the evolution of filmmaking: large format production with anamorphic characteristics, including flare and oval bokeh.
Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.
Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.
Venus Optics Laowa 12mm T2.9 Zero-D
The PL mount Laowa 12mm T2.9 Zero-D Cine Lens from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.
The 12mm cine lens features a maximum aperture of T2.9 with 16 elements in 10 groups. Its 7-blade aperture provides a soft, pleasing bokeh, a shallow depth of field with little to no distortion, and a 7" close focus distance. The focus and aperture rings feature industry-standard 0.8 pitch gearing that will accommodate standard cine follow focus motors. The 102mm front diameter can be stepped up to 114mm with the included adapter to fit industry-standard matte boxes to prevent glare and reflection, as well as to add filters. Focus, aperture, and depth of field markings are in feet on the side of the lens to aid focus pullers.
In addition to the 114mm step-up adapter ring, a shim set is included for calibration, and a hard-shell Pelican case with custom foam is included to protect and transport the lens.
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IRIX 150mm T3.0 Macro
Designed for cine-style image capture and covering up to full-frame size sensors, the PL-mount 150mm T3.0 Macro 1:1 Cine Lens from IRIX incorporates multiple internal and external design features. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh and five seals protect against inclement weather and dust.
To help eliminate aberrations and distortion, the 150mm IRIX is constructed with 12 optical elements in 9 groups including four HR (high refractive index) and three ED (extra-low dispersion) elements. This lens has 270° of focus and 75° of iris rotation, an 86mm front filter thread, and includes a lens hood in addition to front and rear caps.