LENSES / FULL FRAME

TRIBE7 BLACKWING7
T-Tuned

"COMING SOON"

20.7mm T1.9    /    27mm T1.9    /    37mm T1.9    /    57mm T1.9    /    77mm T1.9    /    137mm T1.9

ZEISS Supreme Primes

-18mm T1.5

-25mm T1.5

-35mm T1.5

-50mm T1.5

-85mm T1.5

-135mm T1.5

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The ZEISS Supreme Prime 35mm T1.5 lens features an interchangeable PL mount and is marked in feet. The lens produces a 46.3mm image circle, covering full-frame sensors. The internal focus design provides minimal focus breathing and a non-rotating front. The focus ring rotates 300° from a close focus of 13" to infinity, providing plenty of room for precise focus pulls. The iris is made up of 16 blades arranged to create circular, out-of-focus highlights. Both the focus and iris rings incorporate industry standard 0.8 MOD, 32-pitch drive gears, and the lenses within the Supreme lineup share the same gear positions, making for rapid lens changes.

COOKE 1.8x Anamorphic/i Full Frame Special Flare
COOKE ANAMORPHIC FF + SF SET

-32mm T2.3

-50mm T2.3

-75mm T2.3

-100mm T2.3

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The Anamorphic/i Full Frame Special Flare prime lenses represent the next logical step in the evolution of filmmaking:  large format production with anamorphic characteristics, including flare and oval bokeh.

Coverage circle covers a full 24 x 36 still size sensor with 1.8 squeeze. At 2x squeeze you would lose too many pixels. At 1.6x you won't get enough anamorphic character. At 1.8x you have that sweet spot with a great anamorphic feel and about 90% of the pixels at 2.4:1. Shoot at 2.7:1 and you have all the available frame and 100% of the pixels.

Superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.

And, the Anamorphic/i Full Frame Plus lenses come equipped with /i Technology for frame by frame digital information capture, as do all modern Cooke cine lenses for film and digital capture.

SIGMA Cine Primes 

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SIGMA CINE SET

-14mm T2.0

-24mm T1.5

-35mm T1.5

-50mm T1.5

-85mm T1.5

-135mm T2.0

Founded on the success of the Sigma ART line of lenses, the Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.

TOKINA Cinema Vista Primes 

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The brand new Tokina Cinema Vista series of prime lenses feature high quality optical and mechanical design that focuses on the user experience and image control. The Cinema Vista primes exhibit an image circle that exceeds that of 35mm Full Frame making them an excellent choice for large format cameras.

The Cinema Vista series also benefit from a design that produces nearly zero focus breathing - a feature traditionally reserved for exotic lenses with a much higher price tag.

LENSES / SUPER 35

T2 brightness throughout the zoom range.
Outstanding resolution ready for 6K-8K.
These lenses combine top performance
with superior compactness.

The High Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.

Venus Optics Laowa OOOM 25-100mm T2.9 Cine Lens 

The Venus Optics Laowa OOOM 25-100mm T2.9 Cine Lens features focus scales marked in feet and has an interchangeable PL lens mount.

It is designed to deliver a vintage look in both color rendition and bokeh performance.

The lens features a 4x zoom range, and it covers Super35 with a greater than 33mm image circle from 25 to 100mm.

This enables the lens to be used with a wide variety of cameras and sensors, including those that define Super35 with a larger image circle such as the RED MONSTRO in 6K, GEMINI in 5K, and HELIUM in 8K. The lens also covers the ARRI ALEXA Mini in 4K. The lens comes with a PL mount attached, which allows the lens to be used with a variety of digital cinema cameras.

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Venus Optics Laowa 12mm T2.9 Zero-D 

The PL mount Laowa 12mm T2.9 Zero-D Cine Lens from Venus Optics provides a wide, 122° angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.

The 12mm cine lens features a maximum aperture of T2.9 with 16 elements in 10 groups. Its 7-blade aperture provides a soft, pleasing bokeh, a shallow depth of field with little to no distortion, and a 7" close focus distance. The focus and aperture rings feature industry-standard 0.8 pitch gearing that will accommodate standard cine follow focus motors. The 102mm front diameter can be stepped up to 114mm with the included adapter to fit industry-standard matte boxes to prevent glare and reflection, as well as to add filters. Focus, aperture, and depth of field markings are in feet on the side of the lens to aid focus pullers.
In addition to the 114mm step-up adapter ring, a shim set is included for calibration, and a hard-shell Pelican case with custom foam is included to protect and transport the lens.

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IRIX 150mm T3.0 Macro 

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Designed for cine-style image capture and covering up to full-frame size sensors, the PL-mount 150mm T3.0 Macro 1:1 Cine Lens from IRIX incorporates multiple internal and external design features. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh and five seals protect against inclement weather and dust.

To help eliminate aberrations and distortion, the 150mm IRIX is constructed with 12 optical elements in 9 groups including four HR (high refractive index) and three ED (extra-low dispersion) elements. This lens has 270° of focus and 75° of iris rotation, an 86mm front filter thread, and includes a lens hood in addition to front and rear caps.

SIGMA High Speed Zoom Line

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SIGMA ZOOM LENS SET

18-35mm / T2

50-100mm / T2

Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens

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The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus/iris/zoom) control systems.